The director Peter focuses on camera angles to bring out the emotions of the character. Joe is either resting on the edge of his bed or strolling around in his room. The director shows Joe in various camera degrees which tries to portray how stressed and helpless he feels as an influencer. His world is his phone and he tries to use his content and creativity to get noticed.The life of Joee isn’t easy, yet he tries to greet his followers with a smile, hoping that it would fetch him more followers, because of which he can again get brand endorsements that would help him pay the bills.

What makes this film special is that it has a contemporary touch to it and is very relevant to the real world. The life of an influencer isn’t easy and Joe the character portrays the emotions and the turmoil pretty well. However, the real credit goes to the director who has everything figured out and has very beautifully displayed the character, the issue and how fake social media can be. While many might think that Joe is living a lie, being an influencer is his bread and butter. Even if he is stressed, he has to fake a smile in front of the camera, buy fake followers using crypto and show off a fake fitness routine for running miles in the morning to get the fit body he has.

The movie is a great learning experience for teens and adults alike. It shows how fake social media can be and how they should not follow their favorite influencers blindly. While most of the followers are bought with the help of crypto, the remaining few are actually being filled by the influencer who is more interested in earning money by partnering with a brand. The director Peter is also the producer and writer of this masterpiece and has very explicitly shown the real raw truth of the life of an influencer.

Fake is the new word of the virtual world. Yes, the virtual world is capturing the essence of the real world, but the director shows that everything is fake and built up just to make a sale or increase one’s popularity. The director uses his creativity and intellect to write the dialogue and ensures that the character enacts the perfect version that shows off the fear, frustration and anger of an influencer who is going down. So, the next time you go online and find an influencer smiling and recommending a brand, Joe’s story will surely come to your mind – the freaky fitness influencer who might have had a fit body, but was mentally sad and monetarily broke trying to make ends meet yet showing off on social media about his so-called – ‘fun life’ – all that glitters isn’t gold stands true for the virtual world.

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This movie talks about how artificial intelligence comes as a blessing but due to human intervention and the greed for getting more and more out of these robots, humans slowly and gradually lose their powers, making AI and robots more powerful than ever. While artificial intelligence and robots might seem programmed and something that’s completely under control, this movie shows that it’s far from the truth. Robots need to be programmed to serve  humans. Given too much power, robots can become the most dangerous thing in the world and even kill humans. This movie revolves around the fact that how too much power can end humanity in the hands of robots who have been programmed to kill and usurp power.

While this movie is about the power of artificial intelligence, it’s truly thought-provoking and might make you think about what the future holds if robotics and AI are not controlled or if we lose the remote that’s controlling AI. While AI is definitely a blessing, once you lose control, even a small robot can become a deadly instrument for mankind resulting in the end of the human race.

The movie starts with a bunch of teenagers visiting a hotel to spend quality time with friends and family. The hotel has a staff of humanoid robots who would be serving them at the table, and even at the reception. The movie shows how the kids and adults are enjoying the wining and dining at the hotel; Food and beverages are served and the smiles on their faces show their satisfaction. However, the problem arises when humans find that the robots are not programmed to cater to all their requests. Yes, the humanoid robots start to decline requests that they are not programmed for. At this point, the humans think that with time they will fix the programming so that all their requests and demands are served by the robots. That’s the moment from where the trouble starts.

As humans readily want more and more services from humanoid robots, they are programming the AI tools accordingly to serve their own interests. Little do they realise that as soon as the robots are gaining more power, their strength is increasing and their decision-making abilities are coming to par with humans – in short, the robots are becoming more powerful and have started occupying the space that was once reserved for humans. The robots have started doing human activities participating in dance shows and even dancing with partners. The activities of the humanoid robots start becoming so similar to humans that it’s troublesome to tell the difference between a human and a robot. Both start talking, nodding and behaving just the same.

However, things don’t just end there! Day by day humans give the humanoid robots power and things start to slip away from their hands. Robots now have the power to kill. While this might sound scary but it is the truth. Robots have been given power by humans and as they start getting stronger they start behaving just like humans. With different changes and shifts in programming, the robots start to learn new things and at the end of the movie, it’s seen robots sitting with one another, attending meetings and taking decisions.

While once upon a time, robots were just machines that followed orders, with the passage of time and with advanced programming, the machines gained as much power as a human and with advanced features, they hold the power, strength and desire to kill a human. The movie might raise an alarm and fear among the masses, how humanoid robots have the capability to kill humans if not controlled. While our demands for luxury and good living keep increasing, the robots have the power to turn the tables, if they are not guided in the right direction and controlled to make the right choices and be included in the correct activities.

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Shapeshifters have been a prevalent element for a long time! From various mythological tales of the ancient world to the stories of the modern world, shapeshifters have crowded the literary world. 

While most of the shapeshifters were connected to the evils, some of them were products of love. Love is one of the most beautiful feelings in the world, and the urge to be a better person for the one we love, often leads us to transform ourselves into a finer and more refined version of ourselves.

Swedish director Felix Swahn’s latest venture is a recurring saga of love longing and the quest to transform oneself for the sake of the other.

The film revolves around Tim, a lonely human. Tim yearns for love.

He’s a lonely person who battles exclusion every day. Tim morphs himself into a French bulldog whenever he feels different from others.Ginger helps Tim become more humane. Ginger is Tim’s old friend with whom he once shared an unrequited love. One day he comes across Ginger on the street and eventually starts to bond again. Tim goes back to being a dog after meeting Ginger. This time he prefers to appreciate becoming a dog and observes all the opportunities of a dog’s life. He realises that  i t’s great to be a human, but it’s also great to be a dog at times.

Sometimes, love’s magic works only when it is reciprocated. Among the various kinds of love, mostly reciprocated, there is one kind that often goes unnoticed. It is the unrequited love- where a person pines for the other and there is no answer to look up to. And, while unrequited love might very well share similarities to something like an extreme crush, it is usually much greater because there are deep feelings on one end, at least. In the film, we see our protagonist Tim going through all the heartaches and his desire to transform is evident in his actions. Felix brings out the pangs and troubles of contemporary society through his frames. The world we see is dark, hopeless and dilapidated. He presents a society which reminds one of the postmodern angst of men and surely enough, postmodern society is a loveless society that is terrified of beauty because love disturbs it.

Felix’s craftsmanship perfectly balances the dilemma and the sense of loss throughout the film.When Tim says that people can be afraid of the fear itself, it instantly broadens the perspective and the reach of the film since relatability also becomes a crucial matter when it comes to storytelling. Felix has successfully cemented the bond between his characters and his audience.

While watching this beautifully crafted and designed film, one might go back to the classic directors like Tim Burton or legendary comic book writer Frank Miller. From time to time, the references of Japanese anime are quite evident in Felix’s movie.The incorporation of animals’ faces on a human body is a recurring graphic novel trait, and it was no wonder that watching Felix’s movie felt like reading a graphic novel!

 But what makes “Being A Dog” stand out is its unique storytelling and brilliant execution. Felix is an expert in Advanced 2D animation in CG Spectrum, and each and every frame of his movie shows his capability. He creates a gothic, noir world within his frame and still holds onto the basic principle of the story. 

Tim, at the end of the day, is an ordinary man with his feelings of longing and yearning. He is no hero, and his victory lies in that acceptance. Despite failing and falling apart, his life shows a strange fulfilment on its own, and perhaps, this is where, Felix Swahn excels at his craft.

Even though the movie is only 8 minutes long, it delivers a compact storyline and a perfect presentation.

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“I knew I needed to find some way to show the world that I’d cut ties with Mr. J for good. Some people have the Eiffel Tower, or Olive Garden. The Joker and I? Our love bloomed in a highly toxic industrial processing plant. And, luckily for me, I have all my best ideas drunk.” – Harley Quinn

Harley Quinn is probably the most popular female comic book character, and she’s casually murderous, joyously sociopathic, and mentally unstable. She used to be a mental-health practitioner, but she violated her Hippocratic Oath after she fell in love with a mass-murdering, deranged patient and embarked on a murderous rampage which would make Bonnie and Clyde cringe.In the 22 years since she first joined our world as a one-off individual in a Batman comic, she’s making this world a better place every once in a while once in a while making this world a better place — but it’s generally by accident and never because of honesty, fairness, and the American Way. 

The movie “Harley Quinn: Black N’ Blue” is a close fan analysis of Harley Queen’s psyche and her relationship dynamics with her toxic lover, Jack Napier aka The Joker and her friend and confidante, Pamela Lillian Isley aka Poison Ivy.

In the film, an emotionally neglected Harley Quinn pursues a brief yet impactful romance with her best friend Poison Ivy behind Joker’s back, but heartbreak ensues soon.

The romance between the two girls took a long time to blossom because Quinn was incapable of leaving the Joker, no matter how oppressive the relationship was. Ivy tried to persuade her that their relationship was just not worth it, but she refused to listen to anything negative about her boyfriend. Even though Harley had doubts, she tried her best to not let her heart sway. Things changed when The Joker intervened and Harley had to put herself through a massive transformation for the sake of love.

The movie is made with love and dedication and it is clearly seen in every scene. The creators have been well invested in the DC universe and that gave them the opportunity to pick out the nuances of the characters and their qualities.

Harley Quinn and Poison Ivy have become a canon couple for over a long period of time. Harley and Ivy first met on the 47th instalment of Batman: The Animated Series in 1993. In the episode called Harley and Ivy, the former is involved in a toxic situation with the Joker.

After being cast out of the car by the Joker, Harley planned to steal a jewel from the Gotham Museum in order to demonstrate her worth to the Joker. She met Poison Ivy at the museum, who had come to grab some plant toxins. They had to work together to escape, and they realised they might be the best criminal partners. What they had thought to be a meeting of chances, slowly began to grow as something more significant. “Harley Quinn: Black N’ Blue” has done a commendable job as a fan film.

The cast members have also been perfect for their roles. Brooke Hall has been a perfect choice to play Harleen Quinzel, she brought out all the emotions and insecurities of her character. Ashley Renae Brown was so on point with her portrayal of Ivy. Christian Lora played Joker with such an ease, it was great to see him as the supervillain.

When it comes to Harley, nobody could have predicted she would survive her first appearance, let alone become the main protagonist in a series that regularly tops the best-seller lists. Her real-life path to legend status is unusual and unparalleled in the superhero universe. Yet here she is: Jewish, queer, ethically questionable, deeply flawed, and adored by millions. This movie by Josh David Bennett and Manuel ‘Tony’ Alfonso is a living proof of that love and consideration people have for Harley. The movie shows a humane side of the character and her inner struggles.

The ending of the movie was appropriate and both the revelations that come at the end definitely leave us craving for some more. The Jack Ryder cameo at the end definitely served as the cherry on top! The film was a fantastic experience and it would be interesting to see how they build up Samantha Morato’s Punchline arc.

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“A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her.” – Khaled Hosseini, ‘A Thousand Splendid Suns’

Director Dawn Glifford Engle has documented the life and struggle of Shirin Ebadi, the first Muslim woman to ever receive the Nobel Peace Prize. Shirin has become the face of many struggles fought by women across the world, and Engle, in her documentary, shows how Shirin has paved the way for the Iranian women to open up and speak their voices.

Director Dawn Glifford Engle has been closely associated with Shirin, for about 15 long years. In the documentary we saw Shirin from her eyes, we learn how Shirin stood up for herself through her frames. 

The film starts with a beautiful Vista of Iran and then we see an old picture of Shirin, a daughter of Iran. Then the frame transports us 50 years later in an event where Shirin was being awarded. Her speech concluded with, “Let’s bring an end to injustice,  especially for Women.” Shirin’s struggles throughout her life, shows how strong she has been and gives us a glimpse of the Iranian world. 

Engle has rightfully understood where the Western audience was lacking and she presented them with a slice of life of Iran. A world that is so different yet so hauntingly relatable at the same time. Shirin  was born in Hamadan, a city that finds its origin in ancient Persia. While growing up she had seen her way of life getting ruptured by unexpected events. She saw how the violence unleashed upon her land and she was ready to step into a battle that’d last for a long time! Her indomitable spirit became invincible and made her a strong resilient woman who always cared for her country, especially the women in it. 

Shirin is a symbol of power and struggle, she is a voice in the darkness. In her documentary, Dawn Glifford Engle shows how the idea of justice and fairness was something that always inspired Shirin to speak up and raise her voice. The documentary also shades light on her upbringing. Her parents never differentiated between a girl and a boy and the siblings all enjoyed the taste of life equally. Shirin proudly calls her parents true feminists. Despite coming from a Modern Muslim family, Shirin was sent to study in a Zoroastrian School close to her home. Her fathers taught her the essence of equality among human beings. Shirin recalls a sweet safe childhood with smells of Jasmine, cherries, pomegranates and the tint of berries, a childhood which has become a dream to many Iranian children now.  She lived in Tehran and had a beautiful family that showered her with all the love. 

Her life took a great turn when the CIA took over the Iranian government and the country went through a massive change. Shirin’s dream also changed. 

Coming from a land of rich cultural background, Shirin was already equipped with a progressive mind. She didn’t believe in slavery or oppression, just like her ancestors. 

Through Shirin’s journey and achievement, Dawn has tried to uphold how Iranian women are still striving to live in a better world. The documentary becomes extremely relevant at this moment, with all the atrocities that are taking place there, it is definitely the time to rise and fight back. Seeing Shirin, we can also conclude that her indomitable spirit and courage would lead a thousand others towards a better world.

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“It takes a fearless, unflinching love and deep humility to accept the universe as it is. The most effective way he knew to accomplish that, the most powerful tool at his disposal, was the scientific method, which over time winnows out deception. It can’t give you absolute truth because science is a permanent revolution, always subject to revision, but it can give you successive approximations of reality.”

― Ann Druyan 

Dutch environmentalist and filmmaker Roel Swierenga’s documentary “48.000 Names” is a testament of the decaying humanity and its indomitable spirit of never losing hope. Roel Swierenga is the founder of the Hansa Green Tour Foundation in The Netherlands and organizer of sustainability events, study trips & trade delegations, and speaker at conferences. As director of the annual Hansa Green Tour event in Europe, an epic road trip with electric and alternative energy vehicles through Northern Europe, he decided to have these inspiring sustainability road trips documented and filmed from the very beginning in 2011 for personal use and to share with all partners and participants. The videos and documentaries have become more improved and full of enhanced features over the course of time which makes them appealing to the viewers. Roel changed his shooting method due to the pandemic and took training on mobile filmmaking, editing, and drone flying skills.

48.000 Names is a documentary that predominantly focuses on European borders. These borders are created by nature and are considered to be among the deadliest places in the whole world. This documentary focuses on how 48000 people have lost their lives on their way to Europe. Roel raises the question if it is really necessary to take such risks that would eventually jeopardise a human being and take away their will and right to live. Roel comments that the European borders are problematic in many aspects – they deny the safety and dignity of a traveller and violate the basic human rights. He also points out if it is really necessary to take such risks.

The film starts with the grim opening with a frame of a vast endless engulfing sea. We meet our narrator, there, who goes on to talk about the sufferings of the people who are left behind and are trying to find an answer to their question regarding the ones who have been lost. The documentary then goes on to explain how many of the people die a silent death in this zone, and as we see the sea beach we see the wooden memorials which were being erected as a reminder to the one who dared to cross the sea. The speaker questions if there is anyone to blame for the death via the character.  He concludes that the society and the govt and its systems are extremely indifferent in this regard. They point out that it is our silence that is killing the thousands of people who probably wanted to move to Europe for a better life.

Even though certain organisations have taken notice of these issues, the death tolls are rising still. The film beautifully brings up an important issue of the modern world and shows us how constant attention can save the day. The film is such an informative piece of document and needless to say, the narrator has done a great job and the documentary was extremely insightful.

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The plot revolves around Jessica who encounters the initial hassles of moving into a new place.  She appears to have bagged the job of a night show host for a television channel named “Esbjerg Metro News”.

 In the movie, we encounter a reclusive Jessica. A person who doesn’t find an ample amount of comfort outdoors.

It seems that Jessica has created a safe space for herself where she doesn’t want to let anyone enter. As she believes that things would inevitably take a turn for the bad and lead toward a sorrowful end.   

She has decided to not be in another relationship. A decision perhaps stemming from her previous sufferings.

However, Jessica did not completely abandon the few friends she has. Camilla, her friend, visits her apartment once every week. 

As human beings end up fathoming very little about life, Jessica meets a young man one day. His name is Markus Andersen. He happens to recognize her and eventually asks her out. Her inhibitions prevent her from nodding in the affirmative. Markus refuses to give up and keeps on persuading Jessica only to be denied all the time. Deep down a part of Jessica wants to give herself a chance. A part of her does like Markus. Nonetheless, a different part tells her that she would end up making a wrong decision yet again. Jessica wants to avoid being hurt this time at all costs. She doesn’t want to become the vulnerable person she was in front of Casper again. For reasons that are understood she finds it extremely difficult to completely trust a non-disabled person. 

    There are a plethora of themes in the movie. The first is the intricate relationship that exists between fear and suffering. Jessica like any other person is afraid of suffering. She wants to run the farthest away from despair. Her fear has made her construct a wall around herself. The trepidation of pain has prevented her from being affectionate towards a stranger or even something as innocuous as having a conversation with them. Jessica’s fear also prevents her from acknowledging her feelings for Markus initially.  For some reason, she is convinced that her vulnerabilities would be taken advantage of. 

Another important theme in the movie that plays a pivotal role is the theme of empathy. Jessica believes the world she inhabits is a ruthless one with very little time for contemplation. It is a battle-hardened world without an ounce of affection for the ones standing a few steps behind. Jessica is not a weak person, however, empathy sometimes is even desired by the strongest soul. It is very difficult to locate empathy in a domain dominated by indifference. Therefore Jessica is partly surprised to find a person like Markus. 

Bilal Hussain does an excellent job as a storyteller. His attempt appears genuine and his intention, honest. The characters are well written and the performances justify them in their vulnerabilities, in their glee and sorrow and eventually in their wholeheartedness. 

The movie works because the story plays a dominant role. It is given a free hand and the rest is for the audience to see. 

The movie is about Jessica and many others who are afraid of giving their lives a second chance. Maybe this time Jessica would find her track a little less hazardous and that is the only thing that we can hope for the others as well.

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” For whatever we lose (like a you or a me),

It’s always our self we find in the sea.”

– E.E cummings

The water wall is the story of Andy De La Torre and several others who live with a glimmer of hope in sterile landscapes. It documents a tumultuous period in the United States of America. The tale gyrates around a myriad emotions mostly dominated by a perpetual sense of tragedy. The world projected is a disjointed one stuck between the labyrinthine realms of feelings and duty. 

De La Torre’s story is one amidst many that either stayed relevant or disappeared during the biggest illegal immigration ever to be registered by the US Border Patrol in the state of Florida. 

 Andy de la Torre, a forty five year old Cuban, has a dream. He wants to step on US soil. A place that believes would help him find freedom. A place that would finally help him find happiness. Happiness that has always eluded his grasp. He has made numerous unsuccessful attempts before. However the dreamer in him has never ceased to exist. We learn that he would be trying to do the same for a staggering forty third time. Like Santiago in Hemingway’s The old man and the sea, he is assisted by a somewhat frail and rustic vessel. His route shall be fraught with fatal impediments. Terrors of  deportation, incarceration, and death would chase him. Nonetheless the belligerent Andy shall dream on. He shall fight with every ounce of life left in him and reach the promise land. 

Like the title, The Water Wall blurs a number of otherwise rigid lines. Like water , the story of Andy suggests change. Perhaps a kind of balance between enlightenment and ignorance. 

Water plays a preponderant role in the movie. It symbolises flux. Life and death endlessly gyrates around water. 

The movie addresses the issue of the ‘outsider’. A man looked at from a myriad lenses. A man subjected to harsh consequences. Yet, the tale focuses upon the facet of hope. 

Beyond detention, deportation or migration – there exists a will to life, the zeal to see better days, to put the hours of dread behind oneself for good. 

Life for people like Andy is a story about infinite struggles, some out in the wild and the others, internal. 

Fear ties all mankind together and hope brings them closer to one another. 

The water wall offers a glimmer of hope that enlightens a million dormant dreams. 

There exists a strange relationship between Andy De La Torre and a tattoo. He promises himself to get one as soon as he steps on American soil. He does so in his rare and unique way. A tattoo that indicates the strength that resided in Andy’s beliefs. 

A sense of determination that was determined to never stop, the zeal to see the brighter side of the sun. 

One can’t help but be reminded of The Old man and the sea by Ernest Hemingway on a number of occasions. 

The Water Wall depicts a world of real struggle, a world where the fear of death looms large perpetually. However, it also depicts a world full of belligerent and defiant souls. People who persevere relentlessly. It tells us about the meaning of being referred to as ‘human’. 

Kudos to Andrea Sambuccetti for daring to tell a story like this about a world so pertinent yet often invisible to the eyes of some. 

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“Every gun that is made, every warship launched, every rocket fired signifies in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its labourers, the genius of its scientists, the hopes of its children. This is not a way of life at all in any true sense. Under the clouds of war, it is humanity hanging on a cross of iron.”

― Dwight D. Eisenhower

War never comes up with something constructive, it is always accompanied by the evils of humanity. There have been many wars that went unnoticed in our history. Wars that people have forgotten simply because there was no greater impact. This is where Matt Elliott’s movie becomes a great way to show how significant the “insignificant” can be. A Royal Marines Disposition gives a glimpse of the Falklands War of the 1980s, a war that many people have forgotten about. The Falklands War was a ten-week war between Argentina and the United Kingdom in 1982. It was fought over two British dependent territories in the South Atlantic. They were the Falkland Islands and South Georgia and the South Sandwich Islands.The movie shows the POV of a Royal Mariner who participated in the undeclared war and witnessed the atrocities of War with his own eyes.

The film is a documentary and it is commendable how the director has beautifully captured the thoughts of the spectator who was just a nineteen year old boy when the war broke out. When he was sent to the war zone, the young mariner was visibly overwhelmed. The presentation of the perspectives is extremely unique in this movie as this also deals with an important aspect – memory! What he perceived as a young man is now being narrated by an old man. His commentary reflects the wisdom and experience he has gathered, the pain and trauma he has endured and the path he has travelled. This film does an impressive job when it comes to sharing historical accuracy and information. It is commendable how Matt Elliott touches upon a lesser known war. It shows his earnestness as a creator, the earnestness to show the suffering of the people. The scenes deal with uncertainty of lives, quick reversals and human connections. It is noteworthy how the soldiers’ lives have been a perfect combination of thrill, suspense and momentary relief. 

Actor Tip Cullen does an amazing job as the recollecting soldier who has grown up so much as a human. The film lacks certain technicalities, but when it comes to representation and portrayal, it definitely deserves an applause.

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“We need the tonic of wildness…At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be indefinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature.”

― Henry David Thoreau, Walden: Or, Life in the Woods

Jonathan R Cartwright’s movie Demu is a perfect combination of thriller and horror. The film deals with Issac and Ben, two college friends who were supposed to be on their spring break party with the rest of their college friends. But in a turn of events, they are about to encounter something dark and terrible that causes them to see and hear things from the dark.

The film brilliantly builds upon the theme of fear and thrill from the beginning. The character trope of Demu refers to a primitive myth that no human mind can decipher. In this film, Cartwright hints at the perpetual struggle between good and evil. He achieves the distinction of being both a fabulist and a realist by seemingly blending two irreconcilable polarities. The narrative talks in binary- innocence and experience, courage and fear, good and evil, light and dark, spirit and flesh, pleasure and pain, joy and grief- to display the daring diagnosis of sickness and the afflictions of the modern world. The characters are representatives of the modern world, and likewise, their souls can be easily profaned in darkness, making the ordeal a terrible and destructive one. Their power to resist the darkness is low and eventually, they succumb to the calls. The transition to dark wolf at the end of the film signifies how evil feeds on the good extracting the best out of it.

Jonathan R Cartwright is preoccupied with the contemporary evils that challenge the souls of men in his movie. The conversion begins with the surge of violence and then the war mania among the characters unleashes their true potential as the symbol of experienced modern men. The connection between transformation and liberation is severed to highlight the outcome of the fall of man. Through this narrative, the filmmaker hints at or reinforces how evil is associated with experience and knowledge. 

The merit of this movie lies in the exploration of man’s downfall and additional agents who provoke innocent souls. The movie uses all the elements of horror tropes yet succeeds to create an impact new to this age.

Jonathan has done an impressive job in the movie. The cast members were impeccable in their roles. The special mention would go to James Henson who portrayed Isac with much clarity and confidence. 

Demu is a brilliant film Professionally created by Jonathan Ranard Cartwright. He happens to be a  singer/songwriter, composer/producer, and CEO for Twilight Production Studio. He started his work in the year 2014 and since then they have worked on and produced some more projects related to music, films, and games. He proves his excellence in this short yet delightfully compact film. 

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